Archdiocese of San Francisco

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Cathedral of St. Mary of the Assumption

1111 Gough St.
San Francisco, 94109
(415) 567-2020
website: www.stmarycathedralsf.org

 

Pastor
Rev. Msgr. John J. Talesfore
Parochial Vicar
Rev. Marvin Felipe
In Residence
Most Rev. William J. Justice
Rev. Msgr. C. Michael Padazinski
Deacons
Dn. Christoph Sandoval
Dn. Peter Boulware
Dn. Jose Penate
Masses
Sunday: 7:30 am, 9 am (Gregorian Chant), 11 am (Choir); 1 pm (Spanish); Monday-Saturday: 6:45 am, 8 am; 12 pm; Saturday Vigil: 5:30 pm; Monday-Friday: 6:45 am, 8:00 am and 12:10 pm; Saturday: 6:45 am, 8:00 am and 5:30 pm (Anticipated Mass)
Sacrament of Reconciliation (Confessions)
Saturday: 4 pm - 5 pm; Monday-Friday: 11:30 am - 12 pm; 1st Friday Adoration: Friday 8 am - 5 pm; Holy Days: as scheduled

 

The Cathedral of Saint Mary of the Assumption, known familiarly as St. Mary's Cathedral, in San Francisco has become a landmark that annually draws thousands of people to this sacred structure, which combines the rich traditions of the Catholic faith with modern technology.

The cathedral's striking design flows from the geometric principle of the hyperbolic paraboloid, in which the structure curves upward in graceful lines from the four comers meeting in a cross. Measuring 255 feet square, the cathedral soars to 190 feet high and is crowned with a 55 foot golden cross.

Four corner pylons, each one designed to withstand ten million pounds of pressure, support the cupola, which rises 19 stories above the floor. The pylons measure just 24 feet in circumference at their narrowest point and extend 90 feet down into bedrock. The inner surface of the cupola is made up of 1680 pre-cast triangular coffers of 128 different sizes, designed to distribute the weight of the cupola. At each comer of the cathedral, vast windows look out upon spectacular views of San Francisco, the City of Saint Francis of Assisi. The cathedral's red brick floor recalls early Mission architecture, and the rich heritage of the local church.

Above the altar is a kinetic sculpture by Richard Lippold. Alive with reflected light, the 14 tiers of triangular aluminum rods symbolize the channel of love and grace from God to His people, and their prayers and praise rising to him. The sculpture, suspended by gold wires, is 15 stories high and weighs one ton.

The existing St. Mary's Cathedral is the third such church that has served the Archdiocese of San Francisco. Old St. Mary's, built in 1854, is located on California Street at Grant Avenue. A second St. Mary's Cathedral was built on Van Ness Avenue in 1891, but this structure was destroyed by fire in 1962.

Immediately following that disastrous fire, Archbishop Joseph McGucken gathered his consultors to begin the process of planning and constructing a new cathedral. The Archbishop commissioned three well known local architects for the project - Angus McSweeney, Paul A. Ryan and John Michael Lee - who began submitting preliminary sketches for the new cathedral which ranged from traditional Romanesque to California mission style.

Plans soon took a dramatic turn as a result of a controversy ignited by an article written by architectural critic Allen Temko, who advocated a move beyond traditional architectural concepts to create a bold, new cathedral that would reflect San Francisco's status as a major international urban center. To build a cathedral which would reflect the soul of San Francisco, Archbishop McGucken added two internationally known architects to his team, Italian-born Pietro Belluschi, Dean of the School of Architecture of the Massachusetts Institute of Technology, who was placed in charge of designs, and Pier-Luigi Nervi, an engineering genius from Rome, who took over structural concerns.

As plans for the new cathedral progressed, Archbishop McGucken was participating in the proceedings of the Second Vatican Council in Rome. The Council provided another impetus to the call for innovative design. The design for the new cathedral had to reflect San Francisco's greatness, and also had to incorporate the new liturgical directives promulgated by the Council.

The contours of the new cathedral became clear through a series of press conferences held in 1964. The strikingly modern design which was presented (and with which we are familiar today) was met with high praise. Archbishop McGucken's architectural team had clearly designed a cathedral equal to San Francisco's greatness, and which, according to Mr. Nervi, was "The first cathedral truly of our time and in harmony with the liturgical reforms of the Council."

Ground was broken in August 1965 and Apostolic Delegate Luigi Raimondi blessed the cornerstone on December 13, 1967. The building was completed in 1970. The new cathedral was formally blessed on May 5,1971, again with Cardinal Raimondi presiding, and ceremonies completing its dedication took place on October 5, 1996 with Archbishop William J. Levada presiding.

More than one hundred priests and half-a-dozen bishops have been ordained at St Mary's Cathedral. During his visit to San Francisco in 1987 Pope John Paul gathered for two meetings in the Cathedral space with people from around the country. One meeting was dedicated to men and women religious. During the second gathering the Holy Father met with lay leaders.

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